I did not get around to reading this week's Weekly til yesterday.
Best issue since that aforementioned Beer Hall Putsch.
The Static column about Barnett Shale driller scams titled Methane High was up to a Reaveseque level of succinct pointedness, with subtle snark.
The Metropolis Third World Child Welfare article about a Fort Worth CEO's revelations learned from a visit to Cuba was top notch.
And then there is the cover story titled The Way They Were, A once-lost silent film tied to Quanah Parker’s legacy is a bittersweet gem.
The first four paragraphs....
White Eagle has fallen for the Daughter of Dawn.
But the prettiest child of the Kiowa chief has more than one suitor. Black Wolf, despite Red Wing’s love and devotion, can offer plenty of ponies to the beautiful maiden’s father. All that White Eagle can give is himself, his bravery, and his love. The Daughter of Dawn must choose between the two men.
Sounds like a soap opera, but it’s actually a 1920 silent film.
The Daughter of Dawn was thought lost until 2005, when the 83-minute feature was discovered and restored. After screening at colleges all across the country and now becoming available on Netflix, the film written and directed by Norbert A. Myles comes to University of Texas-Arlington in February, prior to the school’s annual Powwow, a celebration of Native American culture.
Most who know me know I am an aficionado of Native American history and culture. The Cynthia Ann Parker Story is a bit of history each new generation of Americans needs to learn, along with the story of Cynthia Ann's son, Quanah, he being the last Comanche chief, and a leader who made the transition to living successfully with the American invaders.
Modern technology has made silent films very watchable, rendering them as they were originally viewed, not the jerky type motion picture that was the result of earlier tape transfer technology.
Who wants to go with me to UT Arlington in February for the Powwow viewing of The Daughter of Dawn?
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